Angenieux Optimo 28-76mm T2.6

$400-$1200

  • - Focal length: 28–76 mm (zoom ratio ~2.7×) for Super 35 / U35 format. 

  • - Max aperture: T2.6 (often quoted as f/2.4 equivalent) 

  • - Mount: PL mount

  • - Coverage: Designed for “Academy 35mm” / Super35 sized sensor/image circle (~31.4 mm) 

  • - Physical: Front diameter ~114 mm, length ~186 mm / 7.32″, weight ~1.91 kg / 4.2 lb

  • - Close focus: Approximately 2′ (0.61 m) minimum focus distance

  • - Professional cine zoom controls: Focus, zoom, iris geared for cine shooters (0.8 MOD gearing standard). 

  • - Optical performance: High contrast, sharp, smooth bokeh, minimal breathing and ramping.


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Categories: Lenses

Angenieux Optimo 28-76mm T2.6 Zoom Lens Rental in San Diego

Elevate your production with the Angenieux Optimo 28 to 76mm T2.6 cinema zoom lens now available for rental at San Diego Film Equipment. This high end zoom delivers prime lens quality in a nimble lightweight form factor and is perfect for handheld Steadicam gimbal or run and gun setups.

The Angenieux Optimo zoom lens series is designed to work as a complete system. The 15–40mm covers wide-angle shots, the 28–76mm provides standard focal lengths, and the 24–290mm delivers extended telephoto reach for versatile production coverage.

Key Features:
– Fast aperture T2.6 (approximately f/2.4) across the zoom range delivering exceptional low light performance and cinematic depth of field. 
– Focal range of 28 to 76 mm (a 2.7 times; zoom ratio) covering Super35 sensors. 
– Compact and lightweight design at approximately 1.92kg or 4.2lbs, length 186mm or 7.32″ and front diameter of 114mm.
– Minimum focus distance of approximately 0.6m or 2ft, enabling tight and dynamic framing. 
– Designed for cinema‑level performance: internal focus internal zoom constant volume minimal focus breathing no ramping. 

Rental Includes:
– Angenieux Optimo 28 to 76mm T2.6 lens
– Front cap and rear cap
– Microforce motor bracket 
– Anvil case

Recommended Use Cases:
– Steadicam gimbal handheld cinema productions where mobility and optical quality are paramount
– Super35 digital cinema cameras requiring a high quality zoom lens with prime‑like aesthetics and flexibility
– On location shoots where weight size and compatibility with matte boxes rigs are critical

 Which cameras does this lens work with?

This lens uses a PL mount and is compatible with professional cinema cameras including Arri Alexa, Sony Venice II and RED camera systems.

Is this lens full frame?
The Optimo 28-76 is designed for 35mm format and Super35 coverage and may require testing for full frame applications (i.e. 30mm circle)

Do I need lens support?
This lens does not require lens support, but can be used with rods to allow for motors to control the cine lens function like iris, focus, and zoom settings.

What tripod works best with this lens?
Heavy duty heads such as the OConnor 2575D are recommended for proper balance and smooth operation or better yet a dolly (Fisher 10 Dolly).

Which other lenses works best with this lens?
The Optimo 24-290 and the Optimo 28-76 zooms compliment this lens perfectly and are optically matched to this zoom.

Which matte box works with this lens?
We recommend a 4x5.65 mattebox or 6x6 matte box.

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